Juliana Rojas

 ( 1981 Births ) 

This event brought attention to the duo. In 2007, they directed another short film Um Ramo and was nominated to Semaine de la Critique and won Best Short Film. Um Ramo was made with government of São Paulo funding, through an "Edital" (public notice) and produced by Sara Silveira from Dezenove Som e Imagens production company. Juliana Rojas had the opportunity to meet Sara Silveira through a friend in common. Um Ramo helped her get attention in her work and helped her find her aesthetics. It brings fantasy elements to portray urban life of nowadays middle class society and this characteristic is a constant in Juliana Rojas and Marco Dutra’s work.

With Dutra, she codirected As Sombras, a short movie in 2009, and then Desassossego – filme das maravilhas in 2010. After being nominated for Best Short Film in Cannes (2007), Sara Silveira proposed that they brought a feature film screenplay project to show at the Festival. That is how, in 2011, Hard Labor would become Rojas's first feature film and would get into the selection Un Certain Regard, in Cannes Film Festival. This film was nominated for ten categories in Prêmio Fiesp/Sesi-SP, such as Best Movie and Best Director. It featured a frequent actress in their work, Helena Albergaria, who was a longtime friend they met working with Cia. do Latão - a theater company in São Paulo - and Marat Descartes. Hard Labor was edited by Caetano Gotardo, to whom Rojas would edit a film.

Together with Dutra, Rojas won the Silver Leopard award in Locarno Festival with Good Manners, in 2017. However, Rojas did not base her career in only co-directed films with Dutra, she also had some works directed by herself, such as: Vestida in 2008, Pra domir tranquilo in 2011 and O Duplo in 2012 – premiered in Cannes Film Festival and also in 16th Mostra de Cinema Tiradentes, 2013. In 2014, she won Critics Category Award in Gramado Film Festival with her feature film called Sinfonia da Necrópole.

Besides her directing career, she also used her skills as an editor in some important films in Brazilian Cinema, such as: documentary Pulsações (2011) directed by Manoela Ziggiati; Os dias com ele (2012) directed by Maria Clara Escobar and O sol nos meus olhos (2012) directed by Flora Dias, both shown in 16th Mostra de Cinema Tiradentes; TV movie Corpo Presente (2012) by Paolo Gregori and Marcelo Toledo; O que se move (2012) by Caetano Gotardo and Quando eu era vivo (2013) by her Cinema partner Marco Dutra.